Inside the Studio

I begin with a field of atmosphere and marks, without knowing exactly what will emerge. Drawing, painting, erasing, and layering become ways of finding structure within that field.

My marks are physical and intuitive. They move from one painting to another, sometimes becoming a figure, a boundary, a rhythm, or simply a trace of the body’s movement.

The work develops through attention: making a mark, stepping back, recognizing what has appeared, and removing what no longer belongs.